Story structure aside, the script does boast plenty of Stark quips in case you worried the directorial turnover from Jon Favreau to Shane Black would alter the tone of the franchise. Rhodes who has a new gig as the stars-and-stripes-studded presidential bodyguard Iron Patriot, the film appears as a sloppy mess likely to meet the same fate as "Iron Man 2." Only when Tony begins to pursue the mystery of the terrorist bombings do all these seemingly disparate pieces begin to come together into what's actually a rather clever story. As the script continues to introduce all the players in this third iron-clad outing, from Guy Pearce as Aldrich Killian-a think tank manager Tony spurned 13 years ago-to Don Cheadle's Col. airwaves to spread fear and causing thermal explosions, Tony calls him out on his cowardice, a move he immediately regrets. When a terrorist named the Mandarin (Ben Kingsley) emerges, hacking U.S. He has spent his funk by building an inordinate amount of Iron Man suits, and specifically a remotely operated suit that he can summon through a biological tracking system. Tony Stark (Robert Downey Jr.) hasn't been the same since his near-death experience in a intergalactic wormhole at the end of "The Avengers." In fact, the words "New York" have become a trigger for his newly discovered anxiety attacks. The bigger question that Marvel has addressed is whether it could effectively narrow the scope of its universe again after "The Avengers" blew it open-and the answer is yes. How will Marvel's universe ever be the same after "The Avengers"? There's bound to be a vocal percentage of viewers who walk out of "Iron Man 3" thinking, "why didn't he just call his superfriends in the end?" It's a good question, one that Drew Pearce and Shane Black's script doesn't ignore, but never satisfyingly answers.
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